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Biography
In a business where public scandal and bad-boy behavior are the rule
rather than the exception, Paul Newman is as much a hero offscreen as
on. A blue-eyed matinee idol whose career successfully spanned five
decades, he was also a prominent social activist, a major proponent of
actors' creative rights, and a noted philanthropist. Born January 26,
1925, in Cleveland, OH, Newman served in World War II prior to attending
Kenyon College on an athletic scholarship; when an injury ended his
sports career, he turned to drama, joining a summer stock company in
Wisconsin. After relocating to Illinois in 1947, he married actress
Jacqueline Witte, and, following the death of his father, took over the
family's sporting-goods store. Newman quickly grew restless, however,
and after selling his interest in the store to his brother, he enrolled
at the Yale School of Drama. During a break from classes he traveled to
New York City where he won a role in the CBS television series The
Aldrich Family. A number of other TV performances followed, and in
1952 Newman was accepted by the Actors' Studio, making his Broadway
debut a year later in Picnic, where he was spotted by Warner Bros.
executives.
Upon Newman's arrival in Hollywood, media buzz tagged him as "the
new Brando."
However, after making his screen debut in the disastrous epic The
Silver Chalice, he became the victim of scathing reviews, although
Warners added on another two years to his contract after he returned to
Broadway to star in The Desperate Hours. Back in Hollywood, he starred
in The Rack. Again reviews were poor, and the picture was quickly pulled
from circulation. Newman's third film, the charming Somebody
Up There Likes Me, in which he portrayed boxer Rocky Graziano, was
both a commercial and critical success, with rave reviews for his
performance. His next film of note was 1958's The Long Hot Summer, an
acclaimed adaptation of a pair of William Faulkner short stories; among
his co-stars was Joanne
Woodward, who soon became his second wife. After next appearing as
Billy the Kid in Arthur
Penn's underrated The Left-Handed Gun, Newman starred opposite Elizabeth
Taylor in Cat on a
Hot Tin Roof, scoring his first true box-office smash as well as his
first Academy Award nomination.
After appearing with Joanne
Woodward in Rally
'Round the Flag, Boys! -- the couple would frequently team onscreen
throughout their careers -- Newman traveled back to Broadway to star in
Tennessee Williams' Sweet Bird of Youth. Upon his return to the West
Coast, he bought himself out of his Warner Bros. contract before
starring in the 1960 smash From the
Terrace. Exodus,
another major hit, quickly followed. While by now a major star, the
true depths of Newman's acting abilities had yet to be fully explored;
that all changed with Robert
Rossen's 1961 classic The Hustler,
in which he essayed one of his most memorable performances as pool
shark "Fast" Eddie Felson, gaining a second Oscar nomination. His third
nod came for 1963's Hud,
which cast him as an amoral Texas rancher. While a handful of creative
and financial disappointments followed, including 1964's The Outrage and
1965's Lady L,
1966's Alfred
Hitchcock-helmed Torn Curtain
marked a return to form, as did the thriller Harper.
For 1967's superb chain-gang drama Cool Hand
Luke, Newman scored a fourth Academy Award nomination, but again
went home empty-handed. The following year he made his directorial debut
with the Joanne
Woodward vehicle Rachel Rachel,
scoring Best Director honors from the New York critics as well as an
Oscar nomination for Best Picture. The couple next appeared onscreen
together in 1969's Winning, which
cast Newman as a professional auto racer; motor sports remained a
preoccupation in his real life as well, and he was the most prominent of
the many celebrities who began racing as a hobby. He then starred with Robert
Redford in 1969's Butch
Cassidy and the Sundance Kid, which went on to become the
highest-grossing Western in movie history. It was followed by 1971's
W.U.S.A., a deeply political film reflecting Newman's strong commitment
to social activism; in addition to being among Hollywood's most vocal
supporters of the civil rights movement, in 1968 he and Woodward made
headlines by campaigning full time for Democratic Presidential candidate
Eugene McCarthy.
After directing and starring in 1971's Sometimes
a Great Notion, Newman announced the formation of First Artists, a
production company co-founded by Barbra
Streisand and Steve
McQueen. Modeled after the success of United Artists, it was created
to offer performers the opportunity to produce their own projects.
Newman's first film for First Artists' was 1972's Pocket Money,
followed by another directorial effort, The
Effect of Gamma Rays on Man-in-the-Moon Marigolds. After a pair of
back-to-back efforts under director John Huston,
1972's The
Life and Times of Judge Roy Bean and the next year's The
Mackintosh Man, Newman reunited with Redford in The Sting,
another triumph which won the 1973 Best Picture Oscar. He next appeared
in the star-studded disaster epic The
Towering Inferno, followed by 1975's The
Drowning Pool, a sequel to Harper. His
next major success was the 1977 sports spoof Slap Shot,
which went on to become a cult classic.
A string of disappointments followed, including Robert
Altman's self-indulgent 1979 effort Quintet. The
1981 Absence
of Malice, however, was a success, and for 1982's courtroom drama
The Verdict Newman notched his fifth Best Actor nomination. He finally
won the Oscar on his sixth attempt, reprising the role of Eddie Felson
in 1986's The Color
of Money, Martin
Scorsese's sequel to The Hustler.
After starring in two 1989 films, Blaze and Fat Man
and Little Boy, Newman began appearing onscreen less and less. In
1991, he and Joanne
Woodward starred as the titular Mr. and
Mrs. Bridge, and three years later he earned yet another Academy
Award nomination for his superb performance in Robert
Benton's slice-of-life tale Nobody's Fool.
His films since then have been fairly sparse and of mixed quality, with
Joel Coen's
and Ethan
Coen's The
Hudsucker Proxy (1994) being at the higher end of the spectrum and
the Kevin
Costner vehicle Message
in a Bottle (1999) resting near the bottom. Newman again graced
screens in 2000 with Where the
Money Is, a comedy that cast him as a famous bank robber who fakes a
stroke to get out of prison. For his role as a kindly crime boss in
2002's Road to Perdition, Newman became a ten-time Oscar nominee.
Turning 80 in 2005, Newman nonetheless remained a presence in
Hollywood. That year, audiences could see him on the small-screen in the
critically-acclaimed HBO miniseries Empire Falls, for which he won a
Golden Globe, and the following year, he lent his voice to the Pixar
animated film Cars.
Despite his movement away from Hollywood, Newman remained a
prominent public figure through his extensive charitable work; he
created the Scott Newman Foundation after the drug-related death of his
son and later marketed a series of gourmet foodstuffs under the umbrella
name Newman's Own, with all profits going to support his project for
children suffering from cancer. Newman died on September 26, 2008 after a
battle with lung cancer. ~ Jason Ankeny, All Movie Guide
Filmography
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