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Growing up on the streets of Hoboken, New Jersey,
USA made him determined to work hard to get ahead. Starting out
as a saloon singer in musty, little dives (because he carried his
own P.A. system), he eventually got work as a band singer, first
with The Hoboken Four then Harry James, then Tommy Dorsey. With
the help of George Evans (Sinatra's genius press agent), Sinatra'a
image was shaped in to that of a street thug and punk who was saved
by his first wife, Nancy. In 1942, he started his solo career, instantly
finding fame as the king of the bobbysoxers -- the young women and
girls who were his fans. About that time his film career was also
starting in earnest. Known as "One Take Charlie" for his
approach to acting that strove for spontaniety and energy, rather
than perfection, he was an instinctive actor who was best at playing
parts that mirrored his own personality. A contorversial public
affair with screen vixen Ava Gardner, broke up Frank's marriage
to Nancy Barbato. After a vocal cord homorrhage all but ended his
career, he fought back and won the coveted role of Maggio in From
Here to Eternity (1953). He won an Oscar for best supporting actor,
yet still didn't have widespread acceptance in Hollywood. He was
to continue to give strong and memorable performances in such films
as Man with the Golden Arm, The (1955), Suddenly (1954) and, especially,
Manchurian Candidate, The (1962) -- probably his best film. For
the rest of the 1960s, he concentrated mainly on lighter roles,
playing hard-boiled private eyes and hamming it up with his Rat
Pack buddies Dean Martin and Sammy Davis Jr.. Of these films Detective,
The (1968) and Ocean's Eleven (1960) are the best. His last lead
role was as the aging detective in First Deadly Sin, The (1980).
In it, he gave a moving performance that was a fitting finale to
a long and rich career.
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